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1、電影藝術(shù)概論復(fù)習(xí)總結(jié)(Reviewandsummaryoffilmart)1featuresofthefilm<1>psychologicalcompensationmechanism:theaudienceintheviewingprocess,willconsciouslyorunconsciouslyaccordingtotheirdailylifeexperience,makethepsychologicalcompensationonthefracturebetweenthefilm,andultima
2、telyrealizethefilmandtelevisionviewing.<2>persistenceofvisionphenomenon--pseudodynamicphenomenon:thehumaneyeintheobservationscene,lightsignalsintothebrain,afterashortperiodoftime,theendoftheactionoflight,thevisualimageisnotimmediatelydisappear,theresidualvisi
3、onsaysquotasquotvisualthisphenomenoniscalled"persistenceofvision".Thevisionoflightproducedbytheretinaremainsforsometimeafterthecessationoflight,anditsspecificapplicationistheshootingandscreeningoffilms.Thecauseiscausedbythespeedoftheopticnerve,whichis1/24seco
4、nds.Itisthebasisfortheformationanddisseminationofvisualmediasuchasanimationandmovies.Motorperceptiondisorders:motorperceptioncompleximpairmentThehumanmindconnectsthestaticpicture,whichisintermittentmotion.(lantern)Constancyofperceptioninwhichchangesinillumina
5、tion,distance,position,etc.,remainconstantintheperceptionofobjects.Whentheobjectiveconditionsofperceptionchangeinacertainrange,ourperceptualmappingmaintainsitsstabilitytoaconsiderableextent,andthisisconstancyofperception.2howdoyouunderstandthatmoviesaretheart
6、ofcreatingillusions?"Themovieisthemachinethatcreatestheillusionofmotion.Itcreatestheillusionofreality,butnottherealityitself."Becausethemostbasicillusionofmoviemotionisconsistentwiththeinherentinnatefunctionofthehumanvisualmechanism,itplaysaveryuniqueroleinpe
7、ople'saudio-visualperception."Howtolooklike,howtosee,hownot?"."Thedescriptionofthevalueisthatithasenteredintotheillusionofcategory,itvividlyexplainsBarzunontherelationshipbetweenimageandrealityscreendefinition:"asymptote".Realityitselfreferstothereallyobjecti
8、veworldandscene.3,thebasisofthemovielanguageistoimitatepeople'sexperienceofseeingandhearing.Theaudio-visualwayofthinkingofthemovieisthevisible,fourdimensionalwayofthinking(three-dimension