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1、OscarWilde’sAestheticsandItsReflectioninThePictureofDorianGary【Abstract】OscarWilde,asthemostimportantandmostcontroversialfigureinl9thcentury,bestillustratesAestheticism.HeisthetransitionalwriterwhobridgesthegapbetweenRomanticismandModernism,forheembodiesqu

2、alitiesofboth,suchasIdealismandExperimentalism.ThereisnodenyingthatOscarisbestrememberedbyhistheoriesandinfluenceofAestheticism,whichmakesmystudyonhisacceptanceofAestheticismsignificant.ByanalyzingWilde’smostimportantliterarywork----ThePictureofDorianGray,

3、thethesiswillexplorehisdoctrinesofAestheticsanditsreflectiononhisworkfromdifferentperspectives.Keywords:OscarWildeAestheticsThePictureofDorianGray【摘要】奧斯卡·王爾德作為英國唯美主義最具有代表性、最具有爭議的作家填補(bǔ)了從浪漫主義到現(xiàn)實(shí)主義的空白。他身上既有浪漫主義的感性至上、唯美至上的特質(zhì)，又具備了現(xiàn)代主義的意識。而唯美主義則是王爾德藝術(shù)創(chuàng)作生涯中的關(guān)鍵詞，因此

4、對于王爾德美學(xué)傾向的研究就更具有意義和價值。通過分析王爾德最具代表性的作品——《道林·格雷的畫像》，本文將主要從不同視角來研究王爾德的美學(xué)觀點(diǎn)以及這些觀點(diǎn)在該作品中的體現(xiàn)。關(guān)鍵字：奧斯卡·王爾德美學(xué)《道林·格雷的畫像》1.ConclusionOscarWilde,anIrish-bornplaywriter,novelist,essayistandpoet,associatedwiththe19th-century“artforart’ssake”movement,wasundoubtedlyknownfo

5、rhisliterarytheoriesanddoctrinesandtheirexecutioninhisworks.ByanalyzinghisnovelThePictureofDorianGray,wefindthatDorianistheembodimentofalltheaestheticsviewofOscarWilde,meanwhileWildecondemnshischaracterandpunisheshimtodeath.Fromtheothertwomaincharacters,Lo

6、rdHenryandBasilHallward,wecantraceouttheirethicalaswellasaestheticoutlooks.BasilHallwardisamoralisticguidetoDorian.Hisgenerosityandhumanityisthereflectionofhishumanizingethicalview.Andbesides,hisnon-profitablepursuitofart,insomelevel,reflectsWildeinneridea

7、sofart.Asagospelofaestheticism,LordHenryholdstheaestheticethicalview.Hisattitudetowardslifeisdetachmentandhisbeliefofhappinessisthepeaceofmind.Furtherstudiesabouttheparadoxicalrelationshipbetweenaestheticsandethicscanbedoneaccordingtomyargument.AndIamdeepl

8、yconvincedthatitisthisparadoxicalviewthatmakesOscarWilde’snovelThePictureofDorianGrayprofoundandprovoking.